A museum walk through famous paintings, one doorway at a time, with brushes, spray paint and ink for “restoring” them.
Codex entry
Sites · Gallery
BORJ is a museum without a fixed floor plan. Its rooms are laid out anew for every visit, a branching arrangement of galleries, corner rooms, junctions and dead ends, and visitors cross it the old way: one doorway at a time, pausing to look around from each spot before moving on.
Its walls hold some thirty public-domain masterpieces, from the Mona Lisa and The Starry Night to The Great Wave off Kanagawa and The Garden of Earthly Delights, fetched on arrival from the open collections of Wikimedia Commons and hung in single frames, triptychs, small grids and alcoves.
Visitors are not only permitted to alter the paintings; they are equipped to. Brushes, spray paint and ink are provided, with an undo, and the results stay on the wall for the rest of the visit. The museum takes its name from Borja, Spain, home of the Ecce Homo fresco whose well-meant 2012 restoration became the most famous in the world. It hangs here too.